{"id":399,"date":"2023-12-10T15:17:31","date_gmt":"2023-12-10T14:17:31","guid":{"rendered":"https:\/\/o-de-r-ose.fr\/?page_id=399"},"modified":"2024-08-10T09:56:30","modified_gmt":"2024-08-10T07:56:30","slug":"la-danse-egyptienne","status":"publish","type":"page","link":"https:\/\/o-de-r-ose.fr\/index.php\/la-danse-egyptienne\/","title":{"rendered":"La danse Orientale Egyptienne"},"content":{"rendered":"

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Depuis l’\u00e9poque pharaonique, la musique et la danse jouent un r\u00f4le important dans la vie quotidienne des civilisations de l’orient. De nombreux rituels \u00e9taient pratiqu\u00e9s en l’honneur des dieux. Cette danse \u00e9tait d\u00e9di\u00e9e \u00e0 la d\u00e9esse de la fertilit\u00e9. Bien que de nouvelles religions pr\u00f4naient un dieu unique, les femmes ont su pr\u00e9server certains rituels de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration.<\/p>\n

Ainsi, les Alm\u00e9es, de tr\u00e8s belles femmes souvent esclaves, \u00e9taient initi\u00e9es \u00e0 la danse, la musique, le chant et connaissaient une grande vari\u00e9t\u00e9 de r\u00e9cits historiques et la po\u00e9sie arabe. Ces artistes \u00e9taient tr\u00e8s respect\u00e9es et occupaient un rang \u00e9lev\u00e9. Lors des repr\u00e9sentations dans les cours royales, elles recevaient des pi\u00e8ces d’or qu’elles cousaient sur leurs v\u00eatements devenant alors des costumes de danse.<\/p>\n

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La richesse et le respect de ces danseuses suscitaient l’envie et la jalousie de femmes et hommes de r\u00e9gions lointaines, qui les imitaient pour danser dans des lieux peu fr\u00e9quentables.<\/p>\n

Au 19\u00e8me si\u00e8cle, l’arm\u00e9e de Napol\u00e9on Bonaparte arrive en Egypte et ses soldats en qu\u00eate d’exotisme se retrouvent dans ces lieux. On utilise alors pour la premi\u00e8re fois l’expression de \u00ab\u00a0danse du ventre\u00a0\u00bb car seuls les mouvements du bassin, des hanches et du ventre parfois d\u00e9nud\u00e9 retiennent l’attention de ces hommes. Ces femmes venues de plusieurs pays (Ghawasi, peuple nomade) sont soumises \u00e0 la prostitution.<\/p>\n

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Au d\u00e9but du 20\u00e8me si\u00e8cle, la danse orientale conna\u00eet une \u00e9volution avec Badia Masabni, d’origine syro-libanaise, qui ouvre le \u00ab\u00a0Casino-Op\u00e9ra\u00a0\u00bb au Caire, offrant des spectacles de qualit\u00e9 \u00e0 un public mondain. La danse devient plus sophistiqu\u00e9e, plus raffin\u00e9e, en utilisant un d\u00e9cor somptueux, un espace plus utilis\u00e9. Dans les ann\u00e9es 30-40, l’arriv\u00e9e de Samia Gamal et Tahia Carioca dans l’art cin\u00e9matographique permet l’ascension de la danse orientale qui sera interpr\u00e9t\u00e9e par des com\u00e9dies musicales.<\/p>\n

Samia Gamal introduit une danse plus expressive avec des codes chor\u00e9graphiques, des costumes prestigieux et le voile pour l’utilisation de l’espace.<\/p>\n

Tahia Carioca par sa gr\u00e2ce, sa beaut\u00e9, son temp\u00e9rament volcanique, a acquis une immense popularit\u00e9 aupr\u00e8s du public arabe. Son style tout en lenteur et sa sensualit\u00e9 la d\u00e9marquent. Elle introduit le style Sharqui et une certaine influence des rythmes tropicaux avec la Rumba.<\/p>\n

Depuis cette p\u00e9riode, des g\u00e9n\u00e9rations de danseuses se sont succ\u00e9d\u00e9es : Nagwa Fouad, Soheir Zaki,Mona Sa\u00efd, Fifi Abdou, Dina, Randa Kamal.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#f3efe5″ background_image=\u00a0\u00bbhttps:\/\/o-de-r-ose.fr\/wp-content\/uploads\/2023\/12\/FABIENNE-NB.jpg\u00a0\u00bb height=\u00a0\u00bb548px\u00a0\u00bb max_height=\u00a0\u00bb1000px\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb top_divider_style=\u00a0\u00bbgraph2″ top_divider_color=\u00a0\u00bb#f3efe5″ top_divider_height=\u00a0\u00bb55px\u00a0\u00bb bottom_divider_style=\u00a0\u00bbgraph2″ bottom_divider_color=\u00a0\u00bb#f3efe5″ bottom_divider_flip=\u00a0\u00bbhorizontal\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bbrgba(53,6,28,0.52)\u00a0\u00bb top_divider_style=\u00a0\u00bbmountains2″ top_divider_color=\u00a0\u00bb#f3efe5″ bottom_divider_style=\u00a0\u00bbarrow2″ bottom_divider_color=\u00a0\u00bb#f3efe5″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb|13px||16px||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbPlusieurs styles de danse\u00a0\u00bb _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.23.1″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding=\u00a0\u00bb|14px||12px||\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

LE BALADI : d\u00e9velopp\u00e9 en Egypte au d\u00e9but du si\u00e8cle, il exprime \u00e0 la fois joie et nostalgie. Il est le reflet de l’\u00e2me \u00e9gyptienne. Le bassin est enracin\u00e9, les mouvements des bras sont proches du buste et de la t\u00eate et expriment toute l’\u00e9motion et la passion de la danseuse.<\/p>\n

LE SHARKI : style classique dans\u00e9 dans les cours Ottomanes et bien avant, au 5\u00e8me et 6\u00e8me si\u00e8cles. Le cin\u00e9ma \u00e9gyptien contribua \u00e0 sa mise en lumi\u00e8re dans les ann\u00e9es 1940-1950. Le sharki poss\u00e8de un caract\u00e8re lyrique. Les mouvements sont amples et fluides, les arabesques tr\u00e8s utilis\u00e9es.<\/p>\n

LE SA\u00cfDI : folklore du sud \u00e9gyptien, \u00e0 l’origine pratiqu\u00e9 par les bergers de la Haute-Egypte, qui utilisaient lors de cette danse un b\u00e2ton. Cette danse est un d\u00e9riv\u00e9 d’un art martial utilisant un lourd b\u00e2ton pour prot\u00e9ger les troupeaux des brigands et des b\u00eates sauvages. Les femmes ont repris cette danse en la parodiant et en rempla\u00e7ant le b\u00e2ton par une fine canne plus l\u00e9g\u00e8re. Elles n’ont pas conserv\u00e9 l’esprit guerrier de la danse mais plut\u00f4t un c\u00f4t\u00e9 malicieux. L’\u00e9nergie est d\u00e9ploy\u00e9e vers l’ext\u00e9rieur par des mouvements de bassin puissants et pr\u00e9cis.<\/p>\n

LE SHAABI : il est issu du \u00ab\u00a0peuple\u00a0\u00bb des petites villes et villages d’Egypte et il est dans\u00e9 sur des musiques modernes et populaires avec des rythmes entrainants et rapides.<\/p>\n

Et bien d’autres danses encore : Ghawazee, Melaya, Tabbla, …<\/p>\n

Les accessoires : le voile, les ailes d’Isis (voile pliss\u00e9), la canne (Sa\u00efdi), la melaya leff (grande \u00e9toffe s\u00e9par\u00e9e au milieu par une broderie et d\u00e9cor\u00e9e de paillettes), les sagattes<\/p>\n

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Cours danse orientale avec Fabienne au Puy en Velay : infos ICI<\/a><\/p>\n

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Depuis l’\u00e9poque pharaonique, la musique et la danse jouent un r\u00f4le important dans la vie quotidienne des civilisations de l’orient. De nombreux rituels \u00e9taient pratiqu\u00e9s en l’honneur des dieux. Cette danse \u00e9tait d\u00e9di\u00e9e \u00e0 la d\u00e9esse de la fertilit\u00e9. Bien que de nouvelles religions pr\u00f4naient un dieu unique, les femmes ont su pr\u00e9server certains rituels […]<\/p>\n","protected":false},"author":1,"featured_media":341,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-399","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nLa danse Orientale Egyptienne - O de r'Ose<\/title>\n<meta name=\"description\" content=\"Depuis l\u2019\u00e9poque pharaonique, la musique et la danse jouent un r\u00f4le important dans la vie quotidienne ... 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